Notes on exhibitions and workshops, including Impressions Workshop, Brockton Art Center Fuller Memorial, The Art Gallery (Kingston, Plymouth), Exhibition notices regarding Grover Cronin (department store) and Cronin Gallery and artists; writings on Du Buron's work and letters.
An interview of Bernard Langlais conducted 1973 Feb. 21, by Robert Brown, for the Archives of American Art.
An interview of Dennis Pinette conducted 2005 Aug. 30 and Sept. 1, by Susan C. Larsen, art historian, for the Archives of American Art, at the artist's home and studio, in Belfast, Me. Pinette discusses his childhood in Williamstown, Mass., and Morristown, N.J., and his early fascination with industrial scenes and railroad sightings; his family and artistic bloodline from his maternal grandparents, Harold and Frances McMennamin; his education at Mount Greylock Regional High School in
Clippings, photographs and other documents relating to the work of the New Hampshire Federal Art Project, 1935-1942, directed by Omer Lassonde.
An interview of Michael James conducted 2003 January 4-5, by Patricia Harris and David Lyon, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Lincoln, Nebraska. James speaks of his childhood in New Bedford, Massachusetts, in a large Catholic French-Canadian family; his parochial school experience; the early influence of French language and textiles; his undergraduate studies at Southeastern Massachusetts University and
An interview of Michelle Holzapfel conducted 2008 January 26-March 1, by Josephine Shea, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Holzapfel's home and studio, Applewoods Studio and Gallery, in Marlboro, Vermont. Holzapfel speaks of her childhood in Rhode Island; her large extended family and their French-Canadian heritage; working with her father in his machine shop; early art education and exposure from elementary
An interview of Jennifer Rodrigue conducted 2000 April 13, by Paul Karlstrom, for the Archives of American Art, in Rodrigue's home, in Berkeley, Calif. Rodigue discusses modeling professionally when a student at Mt. Holyoke College; her preference for posing to working in the dormitory kitchen; working for an open workshop in Martha's Vineyard, sessions that led to private modeling; her attraction to the different ways people "view me," and the experience of "watching people watching me"; the
The papers of sculptor and teacher Thomas Morin measure 4.7 linear feet and date from 1952-2015. His career at several universities and art schools as well as his work as a sculptor and metalsmith are documented through biographical material, correspondence, writings, professional files, printed material, and artwork. The bulk of the collection consists of photographs and slides of Morin's artwork and the fabrication process.
